I love the ocean. Growing up and living by the sea, I have great respect for the ocean- it can be incredibly dangerous and sometimes, surprisingly, safer than being on land.
When I was young, I lived in Bronte Beach, Sydney and again lived there in my 20’s. It is one of my favourite beach in the world. It is also my closest beach to where I live now- a 15 minute drive on a quiet morning.
Bronte is a couple of beaches down from the more (in)famous, Bondi Beach. It is a more beautiful, family-oriented beach with big sandstone cliff faces, a rock pool and a concrete swimming pool. The surf is always way better than it’s famous neighbour.
This is where I bodysurf through the warmer months, and the surf can be incredible. I have had so many amazing days swimming here, so recently I turned my camera towards it.
These were taken just as the sun faded, and as families started packing up and heading home. Surfers started coming in and the beach grew quiet. I noticed, and you can see in one of the photos, another photographer enjoying the late afternoon light too.
I was shooting with my Nikon D750, swapping between my wider 28mm lens and the narrower 90mm Tamron lens
Of course, a sturdy tripod is essential. I use a Vanguard Abeo 243AB. They are very durable and well priced for what you get. I also use a shutter release cable. Not a branded Nikon one, just a budget one- it does the same job without costing a fortune.
These are the main ingredients for successful long-exposure seascape photography:
- Camera. Any camera where you can take long-exposure photos will be suitable. Most modern cameras will allow you to do this.
- Tripod. I would go without many other pieces of equipment rather than skimp on a tripod. I have used junky cheap ones when I was younger and wondered why I was always disappointed with them. Heavy, flimsy, or badly-engineered tripods will just frustrate you. Spending a little more will give you years of enjoyment. A good tripod should be light but not weak, sturdy without being heavy, adjustable without having to curse at it.
- Shutter release cable. Don’t ruin your long exposure with movement from touching the camera. Cheap, non battery-operated cabled shutter release ones can be found everywhere. There are cool ones available where you can set timers, or set it to fire your shutter at intervals. These are both so cheap. I have one of each. In a pinch, just set your cameras inbuilt timer.
- Shoot at dawn or dusk. You will be rewarded with beautiful light.
Although this is a brief introduction, I will be exploring seascape photography more in an upcoming post. Stay tuned!
Best wishes until next time,