More images on the themes of loneliness and fear. I had an uneasy childhood, growing up in darkest suburbia. Stalkers around toilet blocks, domestic violence, roaming gangs, street violence. An ongoing project is trying to capture this unease.
I grew up in a place called Gosford, most Sydneysiders know how drug-riddled, dangerous and just-damn-scary this place is. Inside my childhood home wasn’t that much better.
These were taken in the small town of Culburra, 3 hours south of Sydney. At times, I scared the hell out of myself walking around empty streets and dark car parks. Some shots were taken from my car, straight through the windscreen.
My partner and I woke early this morning to head one hour west of Sydney to rural Greendale. We take our dog, Bruce, out there every month or so for acupuncture. (No kidding)
Today I was in the passenger’s seat to capture some landscapes from the moving car, with my phone- A Samsung S7.
Love this phone, and bought it for the camera, even though I am an Applehead. A quick pass through Lightroom and I’m done. I made a preset just for this morning’s shoot and just applied it to all the images with just a little tweak here and there.
I still get surprised at the lovely quality of images coming from this phone/camera. Beautiful colours and lovely dynamic range. I do sometimes use the Lightroom app or the Pro settings that come with the Samsung, but I just find it a little fiddly, so I just shoot auto- especially when it is so early in the morning.
Cram all your information into the frame. Don’t leave ‘breathing room’. Negative space is so negative, man. Grrrrr. This one gets on my nerve. Fill the frame? Er, no. Woops, looks like nobody told (master) Fan Ho to fill the frame. Negative space is king.
follow the rules
Rule of thirds? Check! Centre your subject? Check! Golden Ratio Spiral? Check! Ahhhh! Half of those Golden Spiral images you see are just a spiral placed over an image. You can make the spiral fit most images. I say, don’t follow rules. I say do what you feel. Rule of thirds seem to make very ‘appealing’ and ordinary images. Our brains have seen it so many times we are immune to harmonious. Following rules does not lead to innovation.
Saw an article saying you should buy more equipment if you wanna shoot like a pro. Links to affiliate Amazon links follow. Buy equipment you need. Buy something that will help you take photos. Want to do long exposure? Okay, you may need a tripod if you have been struggling for weeks with putting your camera on a rolled up jumper. (Ask me how I know?!)
Megapixels are everything!
Megapixels are the most important thing when buying a new camera. Everything. Less than 24 megapixels? Haha. Out of the game buddy. Haha! If only it were that simple. Many factors go into what makes a great camera. What made me buy mine? Holding it in my hands. It just felt ‘right’. If your camera doesn’t feel nice to hold, well, you won’t hold it so much.
Not portrait, not journalistic, not commercial. OR NOT.
Somewhere between portrait and documentary photography is a style called Lifestyle Photography. Telling a story in a creative, fly on the wall manner that may or may not be staged. Sometimes a little suggestion from the photographer and sometimes not. Not posed, but perhaps a little. A little structure, but not too much. Clear enough? Hahaha.
Luckily I have been called into action a few times over the past couple of years to shoot this style for my partner. The cake eating, no BS Clairvoyant Denise Litchfield. She likes to keep her website and marketing photos fresh and up-to-date. She loves having dozens of images to choose from too. Luckily she has a boyfriend who is a photographer! Luckily, I am always looking for people to sit for me!
For the past few years I have been her personal photographer, so it’s been interesting to see the development of my own skills and our partnership connection when shooting. Denise is very specific about way she wants in terms of exposure, lighting, brand colours and the overall feel and look of the photos. That takes a lot of pressure of me! She also requires large negative spaces to put texts and call-to-action links in. Very specific.
All this can really help you as a photographer because once those constraints are in place, you can be free to explore and play.
Luckily my partner is super-relaxed in front of the camera, and I give her no direction at all. She is playful and fun and I think her personality really comes across in these shots.
The key to great lifestyle shots is relaxing. Shooting loosely, with little direction, I think they are the cornerstones of this style of photography. Fun, playful and telling a story is what you want to achieve. I think one of the keys is to embrace the imperfect shots- sometimes you don’t ‘nail’ the focus or whatever, they can still be great shots too.
Hope you have enjoyed a look at how I shoot lifestyle photography. The great thing is everyone will have a slightly different approach, and thank goodness for that!
Sometimes the weather just isn’t what you want it to be. Sometimes you just have to go with it. My partner, dog and I have been on holidays 3 hours south of Sydney. The weather has been blah: drizzling and overcoast. Time for some moody seascapes.
Neutral density filter, tripod and raincoat, I braved the wet to capture some coastal images of the little town of Culburra. Stay warm.
I have been a photographer for 30 years. My first camera was a Canon T70. A film camera of course. I thought that thing was the bees-knees. It was actually a very advanced SLR for the time with styling not too dissimilar to today’s DSLRs. That was 1984. I shot my girlfriend when I was living in London. I was eighteen and I was going to be a photographer!
By the time I moved back to Sydney my priorities had changed, I was also broke and had to sell that camera. That was almost the end of my photographic career. Not too sure where from, anther camera came into my life and I was back shooting- mainly girlfriends.
Creating painting and sculpture became my bag soon after that, and every painting of piece of art I made had to be documented for my folio. From then on I always had a camera- even if it wasn’t very good.
But the camera was just a tool. Just a practical tool.
The last roll of film I took before digital came along was shooting on the streets of New York. The photography bug was back! That was the year 2000.
Later that year, or maybe the year after, I purchased my first digital camera – a Panasonic Lumix DMC-F7. With a whole 2 megapixels, I was the coolest dude on the block. Welcome to the space age- digital cameras! But, again, I was mainly using a camera to document other artwork and not using it much as a form of expression.
I had a fashion label (Urbandon Menswear) then, so again my camera was used to document the clothes I was making. I would style, model and often photograph myself as well. A one man band. I bought a Fujifilm X10. Lovely digital rangefinder.
I was shooting in Paris and Berlin (and Sydney) on Fujifilm cameras: first the X10 and then the X-E1) and got hooked on photography again. Around September 2017, while on holiday, I was struggling with a way to express myself visually, in a more powerful and immediate way, (I was making electronic music and doing collage on paper) when I decided to commit all my creative time and energy into photography.
I was was seeking an immediate form of creating without being bogged down in sewing machines, mountains of paper or boxes full of rusty metal junk. Something fast, clean and efficient to keep me stimulated.
Since then, I have been seriously pursuing photography as an art form and developing my skill as a photographer. I shoot almost every day with my Nikon D750 or on the Samsung S7 (amazing camera).
I really look at the light now, set assignments for myself, set up still life arrangements, shoot on the street, read everything I can get my hands on and try and learn as much as I can.
Photography is ‘it’ for me now. I now know that this is my true means of creative expression. So perhaps I have been a photographer for 1 year, or maybe for thirty- it is hard to say.
I love the ocean. Growing up and living by the sea, I have great respect for the ocean- it can be incredibly dangerous and sometimes, surprisingly, safer than being on land.
When I was young, I lived in Bronte Beach, Sydney and again lived there in my 20’s. It is one of my favourite beach in the world. It is also my closest beach to where I live now- a 15 minute drive on a quiet morning.
Bronte is a couple of beaches down from the more (in)famous, Bondi Beach. It is a more beautiful, family-oriented beach with big sandstone cliff faces, a rock pool and a concrete swimming pool. The surf is always way better than it’s famous neighbour.
This is where I bodysurf through the warmer months, and the surf can be incredible. I have had so many amazing days swimming here, so recently I turned my camera towards it.
These were taken just as the sun faded, and as families started packing up and heading home. Surfers started coming in and the beach grew quiet. I noticed, and you can see in one of the photos, another photographer enjoying the late afternoon light too.
I was shooting with my Nikon D750, swapping between my wider 28mm lens and the narrower 90mm Tamron lens
Of course, a sturdy tripod is essential. I use a Vanguard Abeo 243AB. They are very durable and well priced for what you get. I also use a shutter release cable. Not a branded Nikon one, just a budget one- it does the same job without costing a fortune.
These are the main ingredients for successful long-exposure seascape photography:
Camera. Any camera where you can take long-exposure photos will be suitable. Most modern cameras will allow you to do this.
Tripod. I would go without many other pieces of equipment rather than skimp on a tripod. I have used junky cheap ones when I was younger and wondered why I was always disappointed with them. Heavy, flimsy, or badly-engineered tripods will just frustrate you. Spending a little more will give you years of enjoyment. A good tripod should be light but not weak, sturdy without being heavy, adjustable without having to curse at it.
Shutter release cable. Don’t ruin your long exposure with movement from touching the camera. Cheap, non battery-operated cabled shutter release ones can be found everywhere. There are cool ones available where you can set timers, or set it to fire your shutter at intervals. These are both so cheap. I have one of each. In a pinch, just set your cameras inbuilt timer.
Shoot at dawn or dusk. You will be rewarded with beautiful light.
Although this is a brief introduction, I will be exploring seascape photography more in an upcoming post. Stay tuned!
Social media, especially Instagram ‘likes’, is not your measure of success. There are incredible photographers with small followings. There are professional, well paid, highly regarded photographers with a few thousand followers. Followers and ‘likes’ is not a measure of success- it is a measure of popularity.
Don’t fall into the trap of linking followers to success.
A great example is Bill Henson, undoubtedly one of Australia’s most famous photographers, has less than 10K followers. A friend of mine, a leading Australian food, product and portrait photographer, Tanya Zouev, has just over three thousand followers. Tanya has worked with the biggest brands in Australia. Numbers mean nothing.
Instagram is addictive. It was designed that way. Nothing is free. You pay for Instagram with your time.
Even if you go on Instagram twice a day for half an hour (sounds pretty reasonable), that makes seven hours a week. What can you achieve in seven hours? How many photos can you take in seven hours? How many blog posts can you write? How many new techniques for shooting or editing can you achieve?
There is something else as well. There is an Instagram ‘look’. Photographers are now aiming for this particular look and are becoming generic in their image-making. A quick scroll on Instagram’s main page will show a repetition of center-framed, highly saturated ‘epic’ images. There is no room for calm or thoughtful photography. Those images are there, but it’s not what a most of Instagrammers want. They want at high-energy fizzy drink. They want ‘Red Bull Photography’. So people shoot more of the same. The same locations, the same poses, the same filters and the same presets.
Myspace was big. Now it is dead. Flickr was huge and was great for storing and sharing images. Now, almost dead. 500px? Dead. Facebook was huge for photographers. Not any more. You gotta pay to get any traction on they platforms. It is one of the ways they make money. Nothing is free.
I am not anti-Instagram. I am on Instagram and I enjoy it as much as the next person, but I do know that it will never make me rich or famous. I do know followers are not my currency to being a good photographer.
Small doses go a long way.
I also know it was designed to keep me, and you, on there as much as possible. And that, above all, makes me very concerned.
I have decided to enter The Kennel Club’s Dog Photographer of the Year Award. This is the first year of entering my work into competitions.
Here are some unedited and edited images I took yesterday of our sweet boy. Bruce, or as we call him, Boofy, is an American Staff X that we rescued 8 years ago. He is now 15 but acts like a puppy. He is such a beautiful dog. People stop in the street and say how gorgeous he is. My partner and I agree.
There are just the first round. I haven’t even looked at today’s shots! I’m not too sure which image I like the most.
Can you guess how many treats this took to get the shot?